Dramaturgy as a Sensorial Device I: The Enchantment

Abstract

The idea of expanded field has allowed us to reconsider the concept of dramaturgy in a more global dimension of the performing arts, freeing it from its identification with the text. At the same time, the performative approach of the analysis proposes an opening of the concept,
detaching it from a genre or literary style in order to consider the sensorial/perceptual and
affective dimension that would contain at its base the idea of dramaturgy under the framework of the notion of story, time and experience and that I call here sensorial disposition or enchantment. This article continues a reflection that the author has undertaken in relation to what we could call the philosophical aesthetics of dramaturgy.