Encarnar el paisaje: ecología del hecho teatral.

Abstract

This article presents a group of reflections related to a working perspective on dramatic
situations that appeal to the affective stimuli of the body by incorporating ecological elements into the scene. Morton's ecological thinking is contrasted with Seel's aesthetics of
appearing, according to which bodies must undergo an aesthetic experience to produce it for spectators. This contrasts with certain methodological approaches to physical actions to find an interdisciplinary alternative, both for analysis and training in acting technique.